Category Archives: Publishing

Coming Soon: Bron Nicholls’ latest.

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Next month we will be releasing Bron Nicholls’s delightful Novella: When the Cat Speaks.

Nicholls is an acclaimed author of both adult and children’s literature. Her previous books include: Move; Three Way Street; Mullaway: Reasons of the Heart; Zeno’s Paradise; An Imaginary Mother; The Humming Tree; Currawong Calling.

Watch this space for release date, reviews and purchase details.

 

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Coming Soon!

Christopher Konrad’s latest poetry collection soon to be released by Pomonal Publishing!

 
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In this collection of poems Konrad explores the domain of the personal, perhaps even secret speech; the half hidden languages derived from culture, family, and desire. Employing that slippage of language which only poetry can properly convey – the liminal, free-floating or tangled structure of the written or spoken word – enabling it to be just what we make of it.

 

Watch this space for launch details

 

 

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Woodend’s Chamber of Poets

B_col_balancedWoodend’s Winter Arts Festival will kick off on June 10 – just another way we try to keep warm in here Victoria – and with it our next poetry publication: ‘Shots from the Chamber, An anthology from the Chamber Poets’.

The titular chamber was once Woodend’s Council Chambers but long since has been home to a delightfully arty cafe: the Chamber Art & Coffee House. Once monthly it hosts an open mic gathering of poets in a warm friendly atmosphere where many varied voices and all developmental levels of poetry are equally welcomed.

Each month a more established poet is also invited to read, so the venue has seen some of Australia’s most renowned poets. The anthology reflects this diversity and the philosophy of inclusiveness that is the Chamber Poets hallmark.  From Judith Rodrigues to Chris Wallace-Crabbe; from John Flaus to Pomonal Publishing’s Christopher Race (pictured) whose first collection we launched only a year ago.

Festival goers are invited to attend the launch of this latest publication. Entry is free and the anthology will be on sale for $20.  Meanwhile, watch this space for more about the anthology, its editors and contributors.

 

 

 

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A splendid kind of darkness

Bright autumn sun interspersed with showers, inclement cloud the darkly spectacular backdrop to a radiance of red/gold foliage – Clunes is at its magical best in moody weather. The lighting seemed purposely tuned to shades of Annie Drum’s collection of stories, ‘Like Trees’, launched at the festival on Sunday. See previous posts.

A cold wind did not deter Clunes Booktown festival goers. The upper room of ‘the Warehouse’ where Neil Boyack‘s segment of the program unfolded was packed with readers of, and true believers in BOOKS. Yes, that good old fashioned printed word.

Introduced and lauded by Boyack, Annie assured us that the sometimes darkness of her stories was no cause for the concern that had been (kindly) expressed; she was in fact quite okay in herself. Then she read the story: Hero And The Machine, from the collection, and from which I’ve quoted in an earlier post.

Two days previously Annie had spoken about Boyack’s support of her writing in an interview on VOICE FM Ballarat. Neil is a Central Victorian author and convenor of the Newstead Short Story Tattoo, a small literary festival that features both known and emerging writers, with a substantial sidedish of music and fireside storytelling. His particular support for new and emerging voices was substansiated on Sunday by the inclusion of a very young writer indeed: Zach Haywood, a student of Maryborough Education Centre, reading for the first time with remarkable poise.

Other readers were Nathan Curnow, and Bronwyn Blaiklock both published poets and consummate poet-performers.  Kirsten Boerema charmed us with her powerful voice and magical ukulele accompaniment.

Those wishing to purchase a copy of LIKE TREES may do so by contacting us through Pomonal Publishing’s main website.

 

 

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An Imaginary Mother

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Pomonal Publishing (or that part of it responsible for this blog) has been quiet over the southern summer buildup of heat, dry, Christmas/New Year madness and the usual bushfire threats.  But I promise new posts soon as we get up to speed with several exciting projects for 2016.

In the meantime, here’s a book recommendation, not one of our own publications, but written by one of our collective.  Imaginary Mother by Bron Nicholls, published by BlackPepper

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Talent in the Wings

As mentioned in a previous post, I edit a community newsletter as a sideline to my publishing ‘hobby’.  It was in this context that I discovered the talents of a remarkable 11 year old, living down our dusty road a little way – a young person intending to become a writer when she finishes school, and already turning out work of staggering maturity. Below is a review piece she wrote recently for the newsletter about Pomonal Publishing.  Her byline: Evie 

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This local organization consists of a group of talented writers, editors and artists who publish their own books and sell them (mostly) online. They are also responsible for the monthly Pomonal Newsletter, which helps to inform the community of what’s been happening and events coming up. With a population around 350, our small town has lots going on!

Pomonal Publishing has a website where you can view new book releases and also read their blog. Fellow writers review the books and offer constructive feedback to the writer. One aspect I loved was reading about the world of writing and publishing.

I was asked to read and review their latest publication: ‘Currawong Creek’ by Bron Nicholls (who has written two other books for young readers). I loved this book and would describe it as heart warming and sophisticated. I particularly liked the main character Alice, with her different thoughts and the way she saw the world. I loved the bit where she finally made a new friend, and the type of relationship they had (not being in each others faces). I also liked the caring and warm relationship she had with her grand parents.

Pomonal Publishing is a fantastic establishment and I hope it continues. Make sure you check it out on: http://www.pomonalpublishing.com and look out for their books, now available at our local shop too!

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Launching: Still Life With Grandmother

File 17-03-2015 5 47 04 pmOn a balmy autumn day, after a magical journey through the Wombat Forest to Woodend, I met up with Christopher Race in an odd little cafe, ‘The Chamber Art & Coffee House‘. He and Myron Lysenko were doing something obscure with microphones, in readiness for the first half of the afternoon: the gathering of the Chamber Poets, live music from Black Forest Smoke and an open mic segment. Greetings, hugs, introductions, cheek kissing…

We were off to a racing start for the launch of Pomonal Publishing’s second volume of poetry: Christopher’s ‘Still Life With Grandmother‘. By 3pm the rooms of ‘The Chamber’ had filled with a heart-warming crowd. Myron MC-ed proceedings with an inimitable flair. He also launched the collection of poems into ‘the universal world of books’ with just the right touch of theatre.

I then gave account of Pomonal Publishing; the whys and wherefores that readers of this blog are already familiar with – not wanting us to be taken for something we are not and probably never can be. Not a business venture, rather a collective adventure. (Appreciative nodding.)

Christopher read from his book, including an extract from the long title poem, was duly applauded, and we were on to the champagne and nibbles. Both author and publisher relieved it had all gone off without mishap or disappointment. Such a grand turn out and more than 50 copies sold (should just about cover the cost of the champagne and nibbles. Author’s expense!) And Christopher had read very well, even (as I heard afterwards) drawing tears. So that was it: Pomonal Publishing’s first ‘event’.

I want to thank Myron Lysenko, convener of Chamber Poets for enabling and hosting the day. (His review of the book is posted here already – see below.) Also present was Michael Foster, who compiled and edited this collection. It was good to be able to publicly acknowledge his excellent work. Thanks are due to the Chamber Art & Coffee House owners and staff for their part in making this a splendid gathering. How they managed to prepare food and serve customers in the midst of all this is a mystery. A special thank you also to my driver – friend of many decades, Carole Wilson – who enabled me to get there without undue stress to the body of form.

An finally, to readers and publishers everywhere: I introduce you to the work of Christopher Race.

 

 

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Still Life With Grandmother by Christopher Race

A review by Myron Lysenko

The poems in this book are accessible yet deep, serious yet subtly funny. They contain fearful and lonely thoughts in juxtaposition with domestic imagery. Music and the garden are recurring motifs. There are windows through which the poet looks both outwards at scenes going past his life and within as he recollects dead relatives and loved ones who have enriched his life or bullied him into a man who has difficulty in expressing his love.

It’s always a struggle to see out;
To turn oneself into a window;
To become an empty room, a glass wall
Facing out into the foreign flowers

There is wisdom and craft in these brave, isolated meditations full of pain and regret as the poet searches for his identity and wonders where to find his place in a world where everything is strange and foreign. Christopher Race is not afraid to make himself vulnerable as he documents his feelings, fears and insecurities within family and social situations.

The main highlight amongst many highlights is the title poem, a long narrative which captures the personality of a grandmother who was forced to leave England and come to a strange and hot country full of people who she couldn’t feel comfortable with; a woman who spoke her mind and spoke it harshly, a woman who made life hard for her family except the grandchildren who were able to see a softer, more compassionate side. A person who expressed her love for things rather than people; somebody who painted still lives because her own life had stilled when she was still young and free and full of promise.

This is a sophisticated and assured debut. Christopher Race’s distinctive and calm voice is a welcome harmony to the chorus of Australian poets.

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A Book Launch

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by | February 28, 2015 · 4:08 pm

Emerging Australian Poet

Our forthcoming publication, the second in our poetry series, ‘Still Life With Grand-mother’ by Christopher Race,  is  an  event  of  some  significance  for   Pomonal Publishing: it will be the first time we have held a public launch for one of our books, complete with posters, press releases, invited guests, drinks and nibbles.

I have known Race since we were both in our late teens, poised without dignity on the cusp of our adulthood and holding that spurious conviction (you may well recall it)  that one actually sees the world clearly.  We have watched each other grow up, both as writers and as a members of our species; arriving at the tail end of the booming-babies with our own particular tales to tell.  Christopher has worked with books and writing for all these years – both on personal projects and professional jobs (including in-house and freelance editing). He is now a qualified librarian.

It was with considerable elation that I discovered, just a few years ago, that my literary friend had  also found his voice as a poet. Now it is with pride and great pleasure – and the help of a mutual friend, Michael Foster, who has selected and edited this collection – that Pomonal Publishing announces the forthcoming release of this book: STILL LIFE WITH GRANDMOTHER.  It will be launched on Saturday 14th March at the (locally legendary) monthly Chamber Poets reading, at The Chamber Art & Coffee House in Woodend, Central Victoria.  Race will be the featured poet reading poems from this collection.

 

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Tales of innocence and experience:

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One of the reasons I got involved with indie publishing is because I miss the collaborative nature of film production; specifically that buzz which comes from a group of creative minds working together, reaching different (if not greater) dimensions than the solitary process.

As yet the collaboration here has been limited to an exchange between an author, their editor (if they have one) and myself.  You see, I am committed to the notion of allowing the author control over how their book will look.  But I’m beginning to realise that publishing isn’t like filmmaking, where a group of individuals skilled in different aspects of the process come together – each responsible for that one area of expertise but all working under the unifying vision of either a producer or a director. That process doesn’t yet unfold so neatly here.  My authors and I are still finding our way.

To begin with, I myself am embarrassingly inexperienced in publishing – my skills lie in photography and film production (and all that goes with those areas in terms of graphics and design sensibilities) and in writing. Putting out my own first novel – I was a screen writer in my previous incarnation – was how Pomonal Publishing came into being.  But I didn’t want to be just a self-publisher!

Now I’m realising that my authors are also inexperienced (in bookmaking, not in writing) and that together we are making lots of mistakes!

Here’s a doozy: Our next PP book will be a collection of poetry by Christopher Race. But I’ve been talking about it as an ‘anthology’ – I even used that term in my Foreword for the review editions already printed. And I used the term when I approached renowned Australian poet Chris Wallace-Crabbe, to ask if he would be willing to review the book.  He politely queried the word, which set me straight.

Of course the dictionary does define ‘Anthology’ as a collection of poems etc.  But it does not say (or at least mine doesn’t) ‘by different authors’!  However, this is the assumed knowledge that anyone in the industry, or any Humanities graduate would already have.  And this is exactly the type of pitfall I’m likely to make on entering an area in which I am untrained and still inexperienced.

Should I cease and desist my amateur attempts to publish beautiful (and professional) books?

Perhaps with kindness and patience (and a little informal mentoring) from such consummate professionals as CWC, we shall achieve excellence in time.  Until then, we’ll bumble on, and after we are gone Pomonal Publishing’s banner may be held aloft by more capable arms.

Christopher Race’s COLLECTION of poems, Still Life With Grandmother, will be out early in the new year. Please watch this space for more details.

 

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